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・ Prelude Hybrid IDS
・ Prelude in A minor, Op. 51, No. 2 (Scriabin)
・ Prelude in A-flat major (Rachmaninoff)
・ Prelude in B-flat major (Rachmaninoff)
・ Prelude in C
・ Prelude in C (Bach)
・ Prelude in C major
・ Prelude in C major, Op. 11, No. 1 (Scriabin)
・ Prelude in C minor
・ Prelude in C Minor (BWV 999)
・ Prelude in C minor (Rachmaninoff)
・ Prelude in C minor, BWV 999
・ Prelude in C-sharp minor
・ Prelude in C-sharp minor (Rachmaninoff)
・ Prelude in C-sharp minor, Op. 11, No. 10 (Scriabin)
Prelude in D major (Rachmaninoff)
・ Prelude in D minor (Rachmaninoff)
・ Prelude in E major, Op. 11, No. 9 (Scriabin)
・ Prelude in E minor, BWV 855a
・ Prelude in E minor, Op. 11, No. 4 (Scriabin)
・ Prelude in E-flat major (John Ireland)
・ Prelude in E-flat major (Rachmaninoff)
・ Prelude in E-flat minor (Rachmaninoff)
・ Prelude in F major, Op. 49, No. 2 (Scriabin)
・ Prelude in F-sharp minor (Rachmaninoff)
・ Prelude in G minor (Rachmaninoff)
・ Prelude in G-flat major (Rachmaninoff)
・ Prelude No. 1 (Villa-Lobos)
・ Prelude No. 4 (Villa-Lobos)
・ Prelude of Lotus Lantern


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Prelude in D major (Rachmaninoff) : ウィキペディア英語版
Prelude in D major (Rachmaninoff)

The Prelude in D major, Op. 23 No. 4 is a 1903 composition by Sergei Rachmaninoff.〔Norris, Geoffrey, ''Rachmaninoff'', Schirmer Books, 1993 (pg. 170).〕〔''Id.''〕 It is part of Rachmaninoff's Ten Preludes, Op. 23.
== Structure ==

The prelude is in three variation form. The theme is introduced in two parts, the first in measure 3, and the second at measure 11:
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Measure 3

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Measure 11

The first variation on the theme occurs at measures 19-34. A triplet descant in the treble voice is added to the main theme, which is present in the right-hand alto voice. The right-hand voices are offset against an eighth-note figure in the left-land.
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Measure 19

Variation two begins at measure 35. In contrast to the more subtle variation of the first variation, the second variation presents rhythmic changes. Triplets appear in the accompaniment, and shorter phrasing is utilized.
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Measures 35 and 36

The piece then reaches its climax within the brief "B" section (measures 35-52) at measures 50-51.
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Measures 50 and 51

The third variation marks a denouement, returning to the rhythm of the main theme. The triplet flow returns to the left-hand bass line, while a high counterpoint is introduced in the main melody.
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Measures 53 and 54

Harmonically, the prelude is composed of traditional progressions. The theme and each variation begins in the tonic and moves briefly to a related key. For example, the quick movements to G major at measure 7, F-sharp minor at measure 11, and B minor at measure 29 illustrate these quick modulations.
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Measures 6 and 7

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Measures 28 and 29

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